|
The History of Jazz
(may or may not be accurate)
The History of Jazz, Volume I
In the beginning, there were lots of good jazz. The truth is, however, most of
the jazzes were bad ones, and a man had to do some hard searching to find the
good jazzes. One man, named mister jazz, had a very hard time finding such
jazzes. He went to work one day….
Mister jazz: *sigh* just not enough good jazzes out there.
Associate: what’s wrong mister jazz?
MJ: well, you see, I’m looking for some good jazzes
And so went his silly little life. His mother in law would call him on the
phone asking about the jazz. “how about the jazz?” she would ask him.
“after all, your frigging name is mister jazz…and you haven’t found and
good jazzes yet! What the crap is that?”
One day, in the suburbs, mister jazz met Kenny G.
Still, he had not found any good jazzes. His main problem was a large goiter
that scared many children and women. As most people know, jazz players are
always hanging around with little children and women, and so when they would get
scared away, the jazz players would follow them.
So, another day, mister jazz got his goiter removed.
Unfortunately, the surgery went wrong, and he died the next day.
Some time after that, a man named Perez found some good jazz, but he kept it to
himself. This started the period commonly known as the “jazz hoarding” days.
This period, from 1918 to the end of the civil war, was a dark period for jazz.
Unless, of course, you were a jazz hoarder (Fig 1.1).

A jazz hoarder is the kind of person you would see in all sorts of places,
especially thrift stores. They always hang out in bunches, with lots of hoochie
mamas on their hips. They can ride a bicycle very well, and they never forget
how. Jazz hoarders, or “j-fools” as president Lyndon B. Johnson referred to
them, died out after a lethal addition to sniffing athlete’s foot power swept
through their ranks.
The next period in the history of jazz is the “saxophone monk” period. As
the titles implies, the period was marked with many famous saxophone playing
monks. A follow up period, “clarinet priests,” followed by the ill thought
out “drum set druids” ruined the credibility of jazz among the clergy.
Since I know nothing about the history of jazz,
this is what I will go by, as it seems to be pretty good. This was written by a friend of mine and my
sisters', his name is Henry and he goes to Central Michigan University. He
is obviously cool, so if you are ever at CMU, say hi to Henry.
|